The possibility of selling to the public any man-made object in the name of art is a democratic phenomenon.
Democratic ages, in effect, foment the uncertainty of taste by abolishing every model.
If the most excellent work of art is still possible there, lesser art dies and extravagance abounds.
Where an authority exists, on the other hand, enjoying unfamiliar works is not easy, but taste is infallible when dealing with contemporary art, and lesser art flourishes.
Escolios a un Texto Implícito: Selección, p. 363
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Nicolás Gómez Dávila (“Don Colacho”) in his library
English translations of the aphorisms of Nicolás Gómez Dávila
Nicolás Gómez Dávila (“Don Colacho”) in his library
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Epigraphs
“Quel fanatisme!” exclama le pharmacien, en se penchant vers le notaire.
(Gustave Flaubert, Madame Bovary, Part 2, Chapter 8)
¡Oh! Pues si no me entienden--respondió Sancho—no es maravilla que mis sentencias sean tenidas por disparates.
(Cervantes, Don Quixote, Part 2, Chapter 19)
ὀλιγόστιχα μέν, δυνάμεως δὲ μεστὰ.
(Diogenes Laërtius, Lives and Opinions of Eminent Philosophers, Book VII, Life of Herillus)
A hand, a foot, a leg, a head,
Stood for the whole to be imaginèd.
(Shakespeare, The Rape of Lucrece, ll. 1427-8)
Aux meilleurs esprits
Que d'erreurs promises!
Ni vu ni connu,
Le temps d'un sein nu
Entre deux chemises!
(Paul Valéry, Le Sylphe)
Daß es sich hier um die lange Logik einer ganz bestimmten philosophischen Sensibilität handelt und nicht um ein Durcheinander von hundert beliebigen Paradoxien und Heterodoxien, ich glaube, davon ist auch meinen wohlwollendsten Lesern nichts aufgegangen.
(Nietzsche, Letter to Georg Brandes, 8 January 1888)
Et miraris quod paucis placeo cui cum paucis convenit, cui omnia fere aliter videntur ac vulgo, a quo semper quod longissime abest id penitus rectum iter censeo.
(Petrarch, Epistolae de Rebus Familiaribus, Book XIX, Letter 7)
For a translation and explanation of these epigraphs, click here.
(Gustave Flaubert, Madame Bovary, Part 2, Chapter 8)
¡Oh! Pues si no me entienden--respondió Sancho—no es maravilla que mis sentencias sean tenidas por disparates.
(Cervantes, Don Quixote, Part 2, Chapter 19)
ὀλιγόστιχα μέν, δυνάμεως δὲ μεστὰ.
(Diogenes Laërtius, Lives and Opinions of Eminent Philosophers, Book VII, Life of Herillus)
A hand, a foot, a leg, a head,
Stood for the whole to be imaginèd.
(Shakespeare, The Rape of Lucrece, ll. 1427-8)
Aux meilleurs esprits
Que d'erreurs promises!
Ni vu ni connu,
Le temps d'un sein nu
Entre deux chemises!
(Paul Valéry, Le Sylphe)
Daß es sich hier um die lange Logik einer ganz bestimmten philosophischen Sensibilität handelt und nicht um ein Durcheinander von hundert beliebigen Paradoxien und Heterodoxien, ich glaube, davon ist auch meinen wohlwollendsten Lesern nichts aufgegangen.
(Nietzsche, Letter to Georg Brandes, 8 January 1888)
Et miraris quod paucis placeo cui cum paucis convenit, cui omnia fere aliter videntur ac vulgo, a quo semper quod longissime abest id penitus rectum iter censeo.
(Petrarch, Epistolae de Rebus Familiaribus, Book XIX, Letter 7)
For a translation and explanation of these epigraphs, click here.
The original Spanish is:
ReplyDeleteLa posibilidad de venderle al público un artefacto cualquiera, en nombre del arte, es fenómeno democrático.
Las épocas democráticas, en efecto, fomentan la incertidumbre del gusto al abrogar todo modelo.
Si la obra de arte eximia es allí posible, el arte menor se muere y la extravagancia pulula.
Donde una autoridad existe, en cambio, gustar de obras extrañas no es fácil, pero el gusto es infalible tratándose de lo contemporáneo y el arte menor florece.